This is the grand finale scene from As You Like It. I can see Ray Llewellyn’s head and shoulders, between two lady’s heads, at the back, a third of the way from the left edge of the photograph. And I’m…
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That’s Paul, second on the left, as Touchstone. It’s how I was meant to look – and then un-look – in minutes. And this is the Olympia Theatre programme, Dublin, where we ended the Season. And you will see that…
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In Part One of my book Are You going to do That Little Jump? I describe a hairy moment at the end of my second season at the Old Vic. I received this letter – out of the blue –…
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I first met Howard Goorney when we were both working with Joan Littlewood’s Theatre Workshop in Stratford, east London. In Part One of Are You Going to do That Little Jump? I describe the weekly Soviet style meetings presided over…
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The other time an actor threatened to unbalance a show I directed, by altering his character, could have been the most disastrous. Jeremy Kingston, notable Punch and Times critic, had written an extremely witty and moving play, much in the…
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What makes a professional performer, hired to play a part in a certain way, deliberately break the tacit deal with author and audience? Did a friend of Keaveney’s come round and say ‘I enjoyed the show, but aren’t you horrible!…
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