I first met Howard Goorney when we were both working with Joan Littlewood’s Theatre Workshop in Stratford, east London. In Part One of Are You Going to do That Little Jump? I describe the weekly Soviet style meetings presided over…
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The other time an actor threatened to unbalance a show I directed, by altering his character, could have been the most disastrous. Jeremy Kingston, notable Punch and Times critic, had written an extremely witty and moving play, much in the…
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What makes a professional performer, hired to play a part in a certain way, deliberately break the tacit deal with author and audience? Did a friend of Keaveney’s come round and say ‘I enjoyed the show, but aren’t you horrible!…
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Stewart Parker had written a play with music called Spokesong which ran for six months at the King’s Head. When he came up with another text, we jumped at it. Again, it had a lot of music and he called…
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